Super Slop Productions

Contact

Hello!

Nobody is in the room right now, and the neon above the bench is dark. That is what a studio looks like between two projects, and it is the honest way to ask: tell us what you want made, and we will turn it back on.

The edit room, empty: two chairs pushed in at the bench, the SUPER SLOP neon unlit, late daylight across the concrete
The room between two projects · the sign comes on when there is something to make

01 · What we make

Four ways in

Every one of these has been asked of us, and every one comes back with the prompt, the seed and the receipt that produced it. Pick the closest, and the form below changes its questions to match.

A film

Short film · music video · title sequence

Written like camera notes, shot by shot, cut from validated takes only. Ours is nineteen shots out of 742 tries, and the whole bill is on the process page.

A campaign

Brand film · social cutdowns · a hundred sizes

One idea, in every format it has to live in. A pipeline built to try a shot every way there is will crop one film into every size you need without blinking.

Images

Key art · product · a room that does not exist

No camera, no plate, no stock. Every image on this website was made this way, including the empty room above. That is the portfolio.

Something nobody has made

The stupid idea · the version you were talked out of

The good ones usually turn up past the point where a normal budget stops. If you were told it is too expensive to try, that is the part we are cheapest at.

02 · Four ways to brief it

Contact

Four intentions, four sets of questions. A film and a set of images do not brief the same way, so one form would ask you either too much or too little. Nothing here is compulsory except a way to answer you.

Or write to [email protected]

03 · How it goes

Workflow

01

Day one

You tell us

The form above, or an email. No deck required: a paragraph and a reference is enough to start.

02

Within 48h

You get a look test

Not a quote with stock images: real frames from your idea, made in our pipeline, so you judge the thing itself.

03

Then

You judge in our tool

Every take lands in the same board we use. You keep, kill or annotate. Nothing ships that you have not seen beat something else.

04

At the end

You keep the receipts

Masters, and the prompt, seed, references and engine behind every frame, so a shot can be recreated identically months later.

The engine board: printed cards pinned to a concrete wall, post-its at angles, a folded page over one of them
The board at the end of a week · every engine we ran, and the notes left on them

04 · Before you write

What helps

And, further down, the four things we will not do, better said before you write than after you have paid.

What helps

  • One sentence on what happens, not three pages on why.
  • Anything visual you keep coming back to: a frame beats an adjective.
  • The real deadline, including “there isn’t one”.
  • A number, even a rough one. It changes what we propose, not whether we answer.
  • What it must never look like. Negatives save more time than references.

What we will not do

  • Pass generated work off as filmed. Everything here is 100% AI and says so.
  • Copy a living artist’s style on request, or imitate a real person’s face.
  • Deliver a film we cannot reproduce. If it is not in the board, it does not ship.
  • Take a job we would be bad at. We will say so, and point you somewhere better.

Write the brief ↑